“She exemplified this great American style,” recalls Calvin Klein.
“In the beginning, there was that rich-hippie period.
Her agent had sent her a script that she’d wept over twice, and she hoped Paramount would buy it for her to star in.In both , Mac Graw played an elite-college student.With what Candice Bergen calls her “sassy class,” Mac Graw was the glossed-up face of Seven Sisterhood. I carry rasta I'm 6fit height, my hair style I was Bab low cut I'm average in body size I'm always looking good in clothing any style I'm on here looking for any good looking woman to call my she must be God fearing woman that know I am a honest man, with good sense of humor and integrity. me,” says Ali Mac Graw as we sip tea in the Beverly Hills Hotel’s Polo Lounge.
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But it went beyond that, and her style put her among the greats: Katharine Hepburn, Jackie Onassis, C. Guest, Babe Paley.”“Every girl in America wanted to Ali,” says Robert Evans, who, the public shattering of their marriage notwithstanding, has been her dear friend for four decades.Evans continues: “The 10 top box-office names of 1971 were nine men and one woman, and that woman was Ali.” Sue Mengers says, “I can’t think of another movie star who became as big as she became overnight.” was a phenomenon.Mac Graw’s romanticism has sometimes been “her undoing,” says Candice Bergen. The actress is rapturous about her friend—“You fall in love with her; she’s always been more alive than most others, so artistic and enchanted, with that refined, intellectual, bohemian glamour and a little bit of the Bedouin”—but she, like many other friends, worries that Mac Graw always asks for less than what she gives, and accepts that skewed equation far too gracefully.“Ali was a saint, Steve was a prick” is agent Sue Mengers’s typically blunt way of putting it.Mac Graw’s generosity is constant, her friends say.
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